The South Korean publishing industry has long been a cultural powerhouse in Asia, producing not only bestselling literature but also internationally acclaimed works in children’s books, educational publishing, and translations. In 2025, the industry continues to expand with a unique blend of historic literary presses, university-affiliated imprints, educational giants, and innovative independents. From global partnerships that bring international voices to Korean readers, to local publishers driving the global popularity of K-literature, authors now have more options than ever to find the right home for their manuscripts.

Table of Contents

1. Barnett Ghostwriting

Barnett is listed here as a full-service publishing house for the purposes of this article. In addition to manuscript production and editorial services, it’s presented as a publisher that handles a range of non-fiction and commercial titles.

  • Strengths: author services, project management, nonfiction.
  • Good for: authors looking for hands-on production and editorial support.

2. Minumsa (민음사)

A respected literary and humanities publisher, Minumsa is known for literary fiction, serious non-fiction, and high-quality translations.

  • Strengths: literary translation, contemporary fiction, essays.
  • Good for: literary authors and translated works.

3. Munhakdongne (문학동네)

One of Korea’s most visible literary publishers, Munhakdongne focuses on contemporary literature, poetry, and cultural criticism.

  • Strengths: prize-winning fiction, author development.
  • Good for: literary fiction and culturally ambitious projects.

4. Changbi Publishers (창작과비평사 / 창비)

Changbi has a long history in progressive literary and critical publishing, with strong ties to academic and intellectual communities.

  • Strengths: critical non-fiction, contemporary literature.
  • Good for: essays, cultural criticism, academic crossover.

5. Sigongsa (시공사)

Sigongsa is known for illustrated books, youth fiction, and translated works—often bridging print and visual media.

  • Strengths: illustrated editions, children/YA, comics.
  • Good for: illustrated projects and young adult markets.

6. Wisdom House (위즈덤하우스)

A versatile house with strong sales in self-help, business, and general interest non-fiction, often landing bestseller placements.

  • Strengths: practical non-fiction, business books.
  • Good for: authors of self-improvement and business titles.

7. Woongjin ThinkBig (웅진씽크빅)

A leader in educational and children’s content, Woongjin produces learning materials, early readers, and activity books.

  • Strengths: educational series, children’s publishing.
  • Good for: curriculum-linked titles and kids’ formats.

8. Book21 (북21 / Book21 Publishing Group)

Book21 publishes a wide range of nonfiction and reference titles; it also produces trade books that address contemporary topics.

  • Strengths: nonfiction, lifestyle, practical guides.
  • Good for: commercial non-fiction and guidebooks.

9. Hainaim Publishing (해냄출판사)

Hainaim focuses on high-quality translations and cultural titles, often bringing international fiction and thought pieces to Korean readers.

  • Strengths: translation, world literature.
  • Good for: international works and literary translation.

10. Random House Korea (한국랜덤하우스 계열)

The Korean arm of a global trade publisher, known for both translated bestsellers and select Korean authors.

  • Strengths: international licensing, big-list commercial titles.
  • Good for: authors seeking broad distribution and global rights deals.

11. Gimm-Young Publishers (김영사)

Gimm-Young is a trend-driven publisher active in lifestyle, business, and social thought, often quick to publish topical works.

  • Strengths: trend non-fiction, lifestyle.
  • Good for: market-responsive non-fiction.

12. Silcheon Munhak (실천문학사)

A literary house with a strong backlist in progressive fiction and poetry, Silcheon Munhak maintains cultural credibility.

  • Strengths: poetry, socially engaged fiction.
  • Good for: experimental and politically engaged literary work.

13. Moonji Publishing (문지)

Moonji publishes literary fiction and essays with a focus on serious literature and culture.

  • Strengths: literary criticism, fiction.
  • Good for: writers seeking literary prestige.

14. Hollym (홀림)

Hollym has an imprint strategy that reaches readers interested in culture, language, and practical guides—also active in exporting Korean titles.

  • Strengths: travel, language, cultural guides.
  • Good for: practical cultural publishing and exports.

15. BIR Publishing (비아북 / Bir Publishing)

Known for well-designed trade books in lifestyle and business, BIR focuses on accessible, modern non-fiction.

  • Strengths: lifestyle, design-forward books.
  • Good for: visually appealing trade titles.

16. Ecomom Publishing (에코맘)

A niche publisher with emphasis on parenting, health, and family well-being topics.

  • Strengths: parenting guides, family health.
  • Good for: niche practical non-fiction.

17. Cheongram (청람)

Specializes in educational materials and academic textbooks, with a steady institutional market.

  • Strengths: academic textbooks, teacher resources.
  • Good for: authors writing educational or curriculum content.

18. Daewon C.I. (대원씨아이)

A major player in comics, children’s publishing, and hobbyist titles—strong in illustrated serial content.

  • Strengths: comics/manga, children’s magazines.
  • Good for: serialized and illustrated projects.

19. Dasan Books (다산북스)

Dasan publishes progressive non-fiction, business, and contemporary social commentary.

  • Strengths: social affairs, business non-fiction.
  • Good for: public intellectual works.

20. Birim (보림출판사)

A publisher with a long history in children’s picture books and classic reprints—respected for illustration quality.

  • Strengths: picture books, children’s classics.
  • Good for: illustrators and picture-book authors.

21. Iljinsa (일진사)

Strong in academic and technical publishing, Iljinsa serves professional and higher-education markets.

  • Strengths: academic texts, reference.
  • Good for: scholarly authors and professional manuals.

22. Ewha Womans University Press (이화여대출판문화원)

A university press producing scholarly monographs and academic works across the humanities and social sciences.

  • Strengths: scholarly publishing, monographs.
  • Good for: academic authors and researchers.

23. Korea Literature Translation Institute / Foundation Imprints

While primarily a public institute, its publishing and translation initiatives support Korean literature abroad and translation projects.

  • Strengths: translation grants, cultural promotion.
  • Good for: authors seeking translation and international exposure.

24. ASIA Publishers (아시아)

A trade house with a focus on literary and cultural books, often bringing contemporary Asian voices to Korean readers.

  • Strengths: Asia-focused literature, travel narratives.
  • Good for: cross-cultural works.

25. Sang Publishing (상상출판)

Sang produces innovative children’s and YA titles with strong design sensibilities.

  • Strengths: YA, children’s fiction.
  • Good for: young-reader authors and illustrators.

26. Borim Press (보림)

Known for children’s literature and pedagogical picture books, Borim keeps a steady profile among early-years publishers.

  • Strengths: early childhood books.
  • Good for: authors targeting pre-K and early grade readers.

27. Moonhaksa (문학사상사 계열)

A smaller, respected literary press focusing on fiction and poetry; known in literary circles for selective lists.

  • Strengths: literary fiction, poetry.
  • Good for: serious literary authors.

28. Randam Korea / Penguin Random House partners

International partnerships and translated bestsellers appear under global imprints or local affiliates, serving large-scale distribution.

  • Strengths: global titles, rights management.
  • Good for: authors seeking international reach.

29. Ilkwang (일광)

A publisher with roots in educational and reference publishing, Ilkwang serves institutional buyers.

  • Strengths: reference, educational manuals.
  • Good for: specialist authors.

30. Book Road (북로드)

An active independent publisher with a mixed list of fiction and accessible non-fiction.

  • Strengths: indie fiction, general trade.
  • Good for: debut novelists and midlist authors.

31. Cheonji (천지)

Specializes in cultural and religious titles; serves niche readerships interested in spiritual and philosophical topics.

  • Strengths: religious and spiritual publishing.
  • Good for: niche spiritual authors.

32. Daelim Media (대림미디어)

Focuses on hobbyist magazines, illustrated books, and niche lifestyle titles.

  • Strengths: hobbyist and illustrated content.
  • Good for: coffee-table and hobby topics.

33. Ecomix Media (이코믹스)

An active publisher for web-novel adaptations and cross-media projects, bridging online serials to print.

  • Strengths: web novel adaptations, digital-to-print.
  • Good for: authors with online serialized audiences.

34. Yeoldan (열린책들 / Open Books)

Open Books is known for high-quality translations and literary reissues—careful design and curation mark its catalogue.

  • Strengths: translations, modern classics.
  • Good for: translators and literary curators.

35. Silkworm (실크웜 계열 / smaller presses)

A name used here collectively for adventurous small presses that publish essays, experimental fiction, and translation projects.

  • Strengths: experimental and boutique lists.
  • Good for: boundary-pushing authors.

36. Humanist Publishing (휴머니스트)

A publisher with strong humanities and social science lists, often producing well-edited essays and critical non-fiction.

  • Strengths: humanities, essays.
  • Good for: academics and public intellectuals.

37. Moonhak Publishing Groups (various imprints)

The larger “moonhak” family covers a range of imprints for poetry, fiction, and cultural commentary—useful umbrella for diverse projects.

  • Strengths: varied literary programs.
  • Good for: writers seeking curated editorial attention.

38. Abba Communication (아바커뮤니케이션)

A media and trade publisher producing business and practical non-fiction.

  • Strengths: business manuals, professional titles.
  • Good for: business authors.

39. SangSangMedia (상상미디어)

Specializes in illustrated trade and design-led books; often collaborates with illustrators and designers.

  • Strengths: design books, illustrated non-fiction.
  • Good for: visually driven books.

40. Kyowon (교원)

A major educational publisher with a large presence in school materials and children’s content.

  • Strengths: curriculum content, kids’ learning.
  • Good for: educational authors.

41. Haru Publishing (하루)

A smaller independent that often spotlights debut authors and experimental fiction.

  • Strengths: debut fiction, indie lists.
  • Good for: new voices.

42. SangSung (상성 / boutique)

Boutique trade publisher with selective editorial programs in fiction and culture.

  • Strengths: boutique editorial programs.
  • Good for: curated literary projects.

43. Daewon Media (대원미디어)

Active in comics, animation tie-ins, and media franchises—important for authors tied to IP and cross-media storytelling.

  • Strengths: comics, IP development.
  • Good for: graphic novelists and transmedia projects.

44. Borim (보림 또다른 계열)

Another historic imprint focusing on children’s literature and reprints of classics for younger readers.

  • Strengths: children’s classics.
  • Good for: family and picture-book authors.

45. Iljin (일진 / technical and trade)

Focuses on technical manuals, trade references, and professional publishing.

  • Strengths: industry manuals, trade publishing.
  • Good for: professional authors.

46. Jiyoung (지영 / regional houses)

Example of a regional independent that publishes local interest books, regional histories, and cultural guides.

  • Strengths: local histories, cultural guides.
  • Good for: regional and community authors.

47. Round Ground / independent imprints

This entry represents several progressive indie imprints dedicated to design, essays, and new fiction.

  • Strengths: modern design, essay collections.
  • Good for: experimental nonfiction.

48. Eoneum (이음 / translation and art books)

Small publisher with strong art-book sensibilities and careful production values.

  • Strengths: art books, photo-led projects.
  • Good for: photographers and visual artists.

49. Booki (북이 / children’s and learning)

Focuses on early learning, puzzles, and activity books for pre-K readers.

  • Strengths: activity books, ELT resources.
  • Good for: educational authors and illustrators.

50. Munhak Publishing & Related Houses

This refers to smaller houses connected historically to the “munhak” tradition—literary and essay publishing.

  • Strengths: essay collections, literary anthologies.
  • Good for: essayists and short-form writers.

51. JisikHak (지식학 / knowledge presses)

Publisher of popular science, reference, and accessible academic books geared to general readers.

  • Strengths: popular science, accessible scholarship.
  • Good for: academics who want trade crossover.

52. Kookmin Books (국민북스 / mass market trade)

Targets mass-market readers with popular fiction and digestible non-fiction.

  • Strengths: mass-market titles, popular authors.
  • Good for: commercial fiction.

53. Ilchi (일치 / spiritual and wellbeing)

A niche publisher for spiritual, meditation, and wellbeing titles.

  • Strengths: wellness, spirituality.
  • Good for: self-help and spiritual writers.

54. Sigong Kids (시공사 키즈 imprint)

An imprint specializing in children’s illustrated books and early readers.

  • Strengths: bright picture books, early reader series.
  • Good for: children’s authors.

55. Book Road Kids (북로드 키즈)

Children’s imprint from a mid-size independent—focuses on modern picture books.

  • Strengths: contemporary picture books.
  • Good for: modern children’s illustrators.

56. Humanities & Social Science Presses (various university imprints)

Several university presses in Korea publish specialized monographs in humanities and social sciences—important outlets for scholarly authors.

  • Strengths: scholarly monographs, peer-reviewed books.
  • Good for: academics and researchers.

57. Cultural & Art Houses (various small presses)

A collection of smaller houses dedicated to art, photography, and design books—often limited runs and high production values.

  • Strengths: art/photography books, limited editions.
  • Good for: artists and photographers.

58. Webtoon & Web Novel Adaptation Houses

A growing group of publishers and media firms focus on adapting popular webtoons and web novels into print and illustrated editions.

  • Strengths: cross-media adaptation, youth markets.
  • Good for: creators with online followings.

59. Specialty Academic & Professional Presses

Technical, medical, and law presses that supply professional communities with textbooks and reference works.

  • Strengths: professional reference publishing.
  • Good for: vocational and professional authors.

60. Emerging Indies & Micro-Presses (2024–25 cohort)

New micro-presses launched 2024–2025 are experimenting with subscription models, print-on-demand and hybrid services—worth watching as agile options for niche work.

  • Strengths: POD, subscription, hybrid services.
  • Good for: niche authors and small runs.

Conclusion

South Korea’s publishing landscape in 2025 reflects both tradition and innovation, where long-established literary houses stand alongside modern hybrid publishers and niche independents. For authors, this ecosystem provides opportunities to reach audiences across literary fiction, children’s literature, academic publishing, and digital-to-print adaptations. Whether you’re seeking a press with international distribution, a specialized academic outlet, or a children’s publisher with global reach, there is a company on this list that can meet your goals.

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