Chile’s book market blends powerhouse multinationals, respected university presses, long-standing educational houses, and inventive indie imprints. Whether you’re pitching a debut novel, a scholarly monograph, or a children’s picture book, the Chilean ecosystem offers real variety—plus regional reach into the wider Spanish-speaking world.

Table of Contents

1) Barnett Ghostwriting

Barnett Ghostwriting operates as a versatile publishing and editorial solutions provider with a strong international reach. While widely recognized for its professional ghostwriting services, the company also assists authors in preparing manuscripts that meet publishing standards—making it a relevant name for writers aiming to publish in Chile and beyond. Its role bridges the gap between raw manuscript and market-ready book, ensuring authors have a polished, publishable product.

Key focus areas:

  • Genres: Fiction, nonfiction, memoir, business, and academic works.
  • Services: Manuscript development, editing, co-writing, book design, and publishing guidance.
  • Audience: Authors seeking high editorial quality and a clear pathway to publication in Spanish or English markets.
  • Distribution: Supports authors in connecting with trade publishers, independent presses, or pursuing hybrid/self-publishing options.

2) Penguin Random House Grupo Editorial (Chile)

Major trade presence with robust fiction, nonfiction, and children’s lists, including well-known imprints and strong distribution.

3) Grupo Planeta Chile

Large commercial and literary programs; notable for front-list fiction, essays, current affairs, memoir, and robust media tie-ins.

4) Editorial Universitaria

Historic academic and general-interest house; humanities, social sciences, Chilean history, and cultural studies.

5) Ediciones UC (Pontificia Universidad Católica de Chile)

Prestigious university press; theology, philosophy, arts, education, and high-quality illustrated nonfiction.

6) LOM Ediciones

Renowned independent press with strong lists in essay, history, social sciences, poetry, and Latin American thought.

7) Catalonia

Independent trade and nonfiction; essays, journalism, contemporary Latin American voices, and high-design titles.

8) Editorial Zig-Zag

One of Chile’s best-known children’s and educational publishers; picture books, middle grade, YA, and school-aligned series.

9) Santillana Chile

Educational and trade programs; textbooks, learning materials, and some general-interest titles.

10) SM Chile

Children’s/YA literature and educational content; contests and reading programs are common touchpoints.

11) RIL Editores

Trade and academic crossover; literary fiction, essays, education, and professional nonfiction.

12) Ediciones Hueders

Edgy and design-forward literary catalog; translations, essays, and contemporary Chilean voices.

13) Cuarto Propio

Feminist and cultural studies emphasis; essays, poetry, narrative non-fiction, and critical theory.

14) Pehuén Editores

Culture, indigenous knowledge, ethnography, children’s titles with strong visuals, and Chile’s natural heritage.

15) Ediciones UDP (Universidad Diego Portales)

Critically respected press; essays, narrative journalism, political science, and literature.

16) Uqbar Editores

Nonfiction specialty; business, self-development with substance, science communication, and practical handbooks.

17) Ediciones B (Chile)

Trade fiction and nonfiction heritage under PRH umbrella; commercial narratives and genre-leaning projects.

18) Ediciones USACH (Universidad de Santiago de Chile)

STEM, history of science, engineering, and Chilean industrial heritage, with an academic tone.

19) Fondo de Cultura Económica (Chile)

Regional branch of a major Latin American publisher; economics, humanities, social sciences, and children’s.

20) Ediciones Universidad Alberto Hurtado

Humanities and social sciences; philosophy, education, and religious studies.

21) Ediciones Universidad de Chile

Flagship university press; scholarly work across disciplines, plus culture and national history.

22) Ediciones Universidad Austral de Chile

Patagonia, environment, biodiversity, and regional humanities/social sciences.

23) Ediciones Universidad de Valparaíso

Medicine, healthcare, and literary/poetry collections with a coastal/regional lens.

24) Ediciones Universidad Católica del Norte

Mining, astronomy outreach, desert ecology, and northern Chile’s cultural studies.

25) Ediciones Biblioteca Nacional

Heritage-oriented; archives, manuscripts, critical editions, and bibliographic scholarship.

26) Editorial Amanuta

Acclaimed children’s list—picture books, early readers, and beautifully illustrated titles.

27) Ekaré Sur

Children’s literature with a pan-Latin aesthetic; author-illustrator showcases and classroom favorites.

28) Ocholibros Editorial

Nonfiction, essay, and photo-rich books; social commentary and cultural criticism.

29) La Pollera Ediciones

Independent fiction and narrative nonfiction; contemporary Chilean and translated literature.

30) Overol

Stylish indie poetry and narrative lists; limited runs with high editorial curation.

31) Montacerdos

Experimental fiction, short stories, and essays; small catalogs with strong literary identity.

32) Alquimia Ediciones

Poetry, essays, and countercultural catalogs; design-driven bookmaking.

33) Ediciones Metales Pesados

Philosophy and critical theory; translations and local scholarship.

34) Tajamar Editores

Illustrated nonfiction, narrative journalism, and design-oriented projects.

35) Edicola Ediciones

Chile–Italy bridge; contemporary fiction, essays, and translation projects.

36) Ediciones Kultrún

Valdivia-based press; literature, anthropology, and southern Chile’s cultural memory.

37) Ediciones Cuneta

Independent fiction, essays, and poetry with distinctive covers and bold curation.

38) Libros del Pez Espiral

Poetry and visual projects; artisanal attention to book objects.

39) Editorial Forja

General-interest trade; fiction, memoir, and practical nonfiction with a national footprint.

40) Editorial Laurel

Literary fiction and poetry; debut and midlist authors with careful editorial accompaniment.

41) Ediciones Universidad de Concepción

Regional research, arts, and humanities; also science outreach titles.

42) Ediciones Universidad del Bío-Bío

Architecture, design, engineering, and regional culture.

43) Ediciones Universidad de Talca

Viticulture, agriculture, regional history, and arts.

44) Ediciones Universidad de La Serena

Astronomy outreach, Andean studies, and local history.

45) Ediciones Universidad de Antofagasta

Marine science, mining, and desert ecosystems; educational outreach.

46) Ediciones Universidad de Playa Ancha

Education, pedagogy, and cultural studies in Valparaíso region.

47) Ediciones Universidad de la Frontera (UFRO)

Araucanía region focus; intercultural studies, health sciences, and education.

48) Ediciones Universidad Técnica Federico Santa María (USM)

Engineering, technology, and applied sciences for general readership.

49) Ediciones Universidad Finis Terrae

Arts, architecture, design, and humanities.

50) Ediciones Universidad Andrés Bello (UNAB)

Health sciences, law, and social sciences; some general-interest offerings.

51) Ediciones Universidad Adolfo Ibáñez (UAI)

Business, economics, public policy, and leadership titles.

52) Ediciones Universidad Católica del Maule

Regional culture, education, and social sciences.

53) Ediciones Universidad Católica Silva Henríquez (UCSH)

Education, social work, theology, and community studies.

54) Trayecto Editorial

Pop culture, sports, entertainment, and accessible nonfiction with marketing-friendly hooks.

55) Editorial Mis Raíces

Children’s and family-oriented nonfiction; Chilean nature and traditions.

56) Saposcat

Comics/graphic narratives and indie visual storytelling; urban culture vibe.

57) Feroces Editores

Small indie lineup—poetry and short forms; emphasis on emerging voices.

58) Mundana Ediciones

Literary prose and essay; slim but carefully curated annual output.

What Chilean publishers look for (in general)

  • Clear audience fit: Can the book move in Chile and wider LatAm?
  • Polish over premise: A tight, proofread sample often beats an ambitious but rough draft.
  • Author platform: Essays, readings, festivals, and media angles help—even for literary projects.
  • Production realism: 200–320 pages is a common sweet spot for trade nonfiction/novels.

Submission bundle checklist

  • 1–2 page proposal/synopsis in Spanish
  • Three sample chapters (or 20–40 pages)
  • Brief author bio + 2–3 market comps
  • Marketing hooks: events, community ties, or cross-border angles

Chile-specific considerations

  • Book design matters: Many indie houses are design-forward; a visual concept (cover comps, mood boards) can impress—without overstepping the publisher’s art direction.
  • Festivals & fairs: The Santiago International Book Fair (FILSA) and regional fairs can lead to contacts; keep a one-pager handy.
  • Rights & distribution: If you have Spanish-world rights, say so. If not, specify territorial availability.

Basic timelines & cost expectations (broad guidance)

Traditional publishers

  • Acceptance → publication: ~8–18 months (acquisitions, edits, design, printing, marketing windows).
  • Upfront costs: Usually none for the author; publisher shoulders production/printing.
  • Royalties: Commonly on net receipts; advances vary widely and are not guaranteed.

Indie presses

  • Cycle: ~6–12 months, often leaner teams, strong editorial attention.
  • Visibility: Festivals, indie bookstores, and niche communities drive discovery.

Educational/children’s

  • Cycle: Timed to school years and reading programs; submissions benefit from curricular alignment.

How to choose the right Chilean publisher

  • Match genre & catalog: If they publish essays and poetry, don’t pitch a cookbook—unless it clearly extends their line.
  • Distribution strength: Trade houses have reach; indies excel in curatorial reputation.
  • Editorial style: Some houses prize experimentation; others prize clarity and broad readership.
  • Your goals: Prizes and literary esteem? Go indie/university. Wide retail presence? Target trade giants.

Conclusion

Chile’s publishing industry offers a diverse landscape for authors—ranging from large international groups with broad distribution to small independent presses with a strong cultural voice. Each publisher on this list has its own editorial style, genre focus, and audience reach, giving writers multiple pathways to share their work with readers in Chile and across Latin America. By matching your manuscript to the right publisher, preparing a polished proposal, and understanding the local market, you can greatly improve your chances of success. Whether you’re an emerging author or an established voice, the Chilean book scene remains rich with opportunity in 2025.

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